You would almost miss them. Almost. Because as soon as you pass the entryway to the St. Servaas Basilica, you’ll figure out that it’s worth walking on. You’ll see for yourself that Maastricht doesn’t end at the Vrijthof. Sometimes you just have to take those few extra steps. That’s when Maastricht will surprise you with just how surprising the city centre really is. The Vrijthof has a number of little streets leading into it from all directions. They include Brusselsestraat, Grote Gracht, and De Kommel. Unlike the more idyllic boulevards in most of the rest of the city, these streets evoke a feeling of the urban, the artistic, the unknown. Here, students and locals come and go: artists, designers, professionals. It’s an area that’s moving fast: new shops, start-ups, young businesses, surprising concepts. Yet at the same time, it’s bursting with historic buildings, and is still very much a place where locals want to live. In truth, you can’t really describe the streets around the Vrijthof in a few words. It’s where local, university, business, authentic, forward-looking, and surprising Maastricht all come together.

In the Céramique district, you still feel the industrial past, even though you’re standing in the newest and most modern part of the city. It’s the kind of place where you look up and keep looking, to take in the impressive architecture, even as the ground around you buzzes with culture and activity. Céramique arose in the early 1990s on the site of ‘Société Céramique,’ a ceramics factory that operated from 1850 to 1985, best known for its tableware. When the factory was offered for sale to the municipality in the late 1980s, the idea to redevelop the area as a quality residential and commercial district quickly emerged, and Government Architect Jo Coenen was engaged to develop a master plan. One of his fundamental premises was to bring something of a Mediterranean feel to this part of the city. To achieve this, he brought in luminary architects from southern Europe for the design of the various residential and business complexes. The result is a total package of architectural high point after high point, like Mario Botta’s ‘La Fortezza,’ Alvaro Siza’s ‘Tower of Siza,’ and perhaps the crowning glory, Aldo Rossi’s Bonnefanten Museum. But despite all the forward-looking architecture, the connection to the past remains, in the street names, remnants of older buildings and tableware that turn up unexpectedly, and the exhibitions in the Bonnefanten Museum and Centre Céramique. Each and every one is a golden thread of history interwoven into the fabric of today.

Take a relaxing stroll along the Detroit Riverwalk, where the sights and sounds of the river offer a perfect escape from the city hustle. As you walk, you’ll catch views of Ontario, Canada just across the water, with the skyline of Windsor in the distance. Watch as seagulls go through their daily lives, boats showing off their vivid colors on a dark blue carpet, while a soft breeze flows through your hair.

This village is located inside the Longji Rice Terrace scenic area, constructed on top of a mountain, separated from the outside world and only accessible by an hour's walk. It is a village of Yao people, a minority branch, made up of hundreds of stilt houses. If you want to watch the sunset or sunrise, this would the perfect spot. There are hotels in the village where you can stay for the night, and spend some time enjoying the tranquility of nature.