In Luleå, where the sky holds the potential for enchantment, keep an extra eye on the clear weather, especially during times of heightened solar activity or specific seasons. If you're fortunate, the stunning Northern Lights, Aurora Borealis, might grace the heavens with their spectacular dance. To enhance your chances of witnessing this celestial display, venture away from the city centre's light pollution. For first-time visitors, seeking guidance from the Luleå Tourist Center in Kulturens Hus is recommended.

Encompassing a diverse landscape from coast to mountain, Norrbotten County boasts a rich cultural history spanning over 10,000 years. The county emerges as a multicultural haven, embracing Sami, Tornedalian Finnish, Finnish, Swedish, and New Swedish cultures. Norrbotten Museum's exhibitions provide a comprehensive view of Norrbotten, its cultural heritage, and the broader world. The museum's offerings extend to the present, featuring culture, documentary projects, cultural history, and art. Through engaging tours, workshops, and lectures tailored to current issues, historical narratives, and societal reflections, visitors of all ages can delve into the vibrant tapestry of Norrbotten's cultural identity.

The story of Romeo and Juliet will always be tied to the city of Verona, and if you’re following the trail of the legend, this is part of it. The stone sarcophagus here is said to be the final resting place of Juliet. It’s set in the crypt of a former monastery—quieter than Juliet’s House, with a small museum above that gives a bit more context to the story.

The Luleå cathedral was built after the great fire in Luleå in 1887. The fire completely destroyed the old church on the site, Gustaf's church, which was from the late 1700s. Designed by architect Adolf Emil Melander in a neo-Gothic style, the new cathedral was initially named Oscar Fredrik's church upon its 1893 opening, in honour of King Oscar II. Spanning 54 metres in length and 35 metres in width, the cross-shaped cathedral features a towering spire exceeding 60 metres in height. Architect Knut Nordenskjöld led a redesign that veered towards modernity, stripping away wall paintings and star decorations, leaving a pristine white interior. Despite these changes, echoes of the original style linger in the church entrances, creating a harmonious blend of historical and contemporary aesthetics.