You would almost miss them. Almost. Because as soon as you pass the entryway to the St. Servaas Basilica, you’ll figure out that it’s worth walking on. You’ll see for yourself that Maastricht doesn’t end at the Vrijthof. Sometimes you just have to take those few extra steps. That’s when Maastricht will surprise you with just how surprising the city centre really is. The Vrijthof has a number of little streets leading into it from all directions. They include Brusselsestraat, Grote Gracht, and De Kommel. Unlike the more idyllic boulevards in most of the rest of the city, these streets evoke a feeling of the urban, the artistic, the unknown. Here, students and locals come and go: artists, designers, professionals. It’s an area that’s moving fast: new shops, start-ups, young businesses, surprising concepts. Yet at the same time, it’s bursting with historic buildings, and is still very much a place where locals want to live. In truth, you can’t really describe the streets around the Vrijthof in a few words. It’s where local, university, business, authentic, forward-looking, and surprising Maastricht all come together.

Beautiful, quiet, old, noble, stealing breath in front of every house. Solid, stone, steep streets, stone houses, each capturing attention with its particularity, still forming a harmonious, single whole story. It is a story of glitter and wealth that used to be, and laughter that once resounded along these streets. Population of Sepurine used to be greater than that of Vodice. Today unfortunately, it shares the destiny of all the places on the island. Prvić, with its two settlements, Sepurine and Prvić Luka, was first mentioned in the 11th century. It was substantially inhabited by people from Srima and Vodice who fled here in fear of Turks. In the 16th century, the island became a fashionable resort for Sibenik nobility, building their villas and summer residences on it.

If you happen to stroll through the many alleys in town, you might stumble upon the Odeon. Only a few steps away from the main road, this Roman theatre was discovered in 1892 underneath buildings constructed upon it over the years. Its remains stand out from the rest of the city, a testament to the long gone Ancient Roman Era.

Constructed at the end of the XVII century, San Giuseppe church dominates Piazza IX Aprile with its Baroque facade. The interiors are decorated with floral motifs and angels, as well as with some frescoes picturing traditional Catholic images.