The 11th century church of San Severo (Cappella di San Severo) was built on the site of a pagan temple. Rebuilt in the 18th century, it is noteworthy for the fresco in its 14th century chapel: the upper part is by the great Renaissance painter Raphael, the lower part by Perugino.

Perched above the northern coast, the Miradouro da Fonte da Areia offers far‑reaching views of the Ilhéu da Fonte de Areia, the cliffs, and the island’s stark, dramatic landscape. The area takes its name from the abundant sand and the spring once considered sacred by locals. Around you, wind‑shaped sandstone formations, made of shell and algae fragments that eventually formed Porto Santo’s beaches, offer a tangible reminder of the island’s volcanic origins.

This is a beautiful medieval structure, first built at the end of the 13th century, and the subject of many additions and alterations over the years. Head up the stairs in Piazza IV Novembre and into the Sala dei Notari – completely covered in allegorical and biblical frescoes that date from the 13th century. Entering the palazzo from Corso Vannucci takes you to the Galleria Nazionale dell’Umbria and to two further rooms: the Collegio della Mercanzia and the Collegio del Cambio. The Collegio della Mercanzia is beautifully panelled in wood, probably done by German craftsmen in the 15th century. The Collegio del Cambio has two rooms, the second with stunning late 15th century frescoes by Perugino.