Stuttgart has the second-largest mineral water reserves in Europe, just after Budapest. In Bad Cannstatt, 19 springs produce around 44 million litres of mineral water daily. Locals have been using these waters for centuries, and today, three public mineral spas keep the tradition alive: DAS LEUZE, Mineralbad Berg, and SoleBad Cannstatt. DAS LEUZE is the most modern of the three, with indoor and outdoor pools fed by natural mineral springs, a large sauna area, and a dedicated children’s section. It’s located right by the Neckar River and easily accessible via public transport.

This fantastic Roman Catholic cathedral, also known as Madame l'Afrique, can't absolutely be missed in Algiers. The stunning building, completed in the late 19th century, features a grandiose interior and, since 2012, it is listed between the historical monuments in Algeria.

Jasne Błonia Square is a wide green house located by the Szczecin Municipal Office. It's a great place to rest: you can walk, ride a bike or sit comfortably on a bench or on the lawn. The park was built in the years 1925-27, it was designed with rows of maple plane trees on the sides of a wide lawn with ground-based flower arrangements in the middle. It is the largest concentration of this species of trees in Poland, of which over 200 are growing here. Computational continuity is ensured by an alley stretching towards Kasprowicz Park and further to the Arkonian Forest. Try to come to the park in early spring when the lawns are carpeted with bright crocus flowers.

The Kunstmuseum Stuttgart is hard to miss—by day, it’s a sleek glass cube reflecting the city; by night, its illuminated limestone core glows from within. The museum holds around 5,000 square metres of exhibition space, much of it tucked beneath the square in repurposed tunnels. It’s home to the world’s largest collection of works by Otto Dix, including his famous triptych Großstadt. The collection also includes pieces by Adolf Hölzel, Willi Baumeister, and other key figures in modern and contemporary German art.