Piazza Galimberti was named after the Italian Resistance hero, Tancredi (Duccio) Galimberti in 1945. On the walls here one can see the tablet with the famous quotes from Galimberti. The square took 50 years to build in its neoclassical style. It is one of the most beautiful places in Italy and also a great source of pride for Cuneo where a number of events takes place each year. It also features as an outdoor market.

Any road trip in Ireland will invariably pass through the Shannon region. If you find yourself in Limerick, start at the river’s end and arrive in rugged north Kerry by following the southern coastline of the estuary. It is thanks to the river’s water that this region is so green, so enjoy the scenery by taking your sweet time on a scenic tour from Kittycloghar to Mohill in County Leitrim. The Shannon Erne Tour starts in Carrick-on-Shannon, Ballinamore, Carrigallen, Dromod, Jamestown and returns to Carrick-On-Shannon in the end, with a length of approx 92km. Carrick-on-Shannon, the cruising capital, is home to the smallest chapel in Europe, while Ballinamore is an angler’s paradise with 40 lakes in a 10 km radius. The Lough Rynn estate in Mohill features 100 acres of rare woodland and exotic walled ornamental gardens, whereas Dromod houses the Cavan and Leitrim Railway. Jamestown, in the and, and named after King James 1, was a walled and fortified city that still holds one of the gates until today.

In the Céramique district, you still feel the industrial past, even though you’re standing in the newest and most modern part of the city. It’s the kind of place where you look up and keep looking, to take in the impressive architecture, even as the ground around you buzzes with culture and activity. Céramique arose in the early 1990s on the site of ‘Société Céramique,’ a ceramics factory that operated from 1850 to 1985, best known for its tableware. When the factory was offered for sale to the municipality in the late 1980s, the idea to redevelop the area as a quality residential and commercial district quickly emerged, and Government Architect Jo Coenen was engaged to develop a master plan. One of his fundamental premises was to bring something of a Mediterranean feel to this part of the city. To achieve this, he brought in luminary architects from southern Europe for the design of the various residential and business complexes. The result is a total package of architectural high point after high point, like Mario Botta’s ‘La Fortezza,’ Alvaro Siza’s ‘Tower of Siza,’ and perhaps the crowning glory, Aldo Rossi’s Bonnefanten Museum. But despite all the forward-looking architecture, the connection to the past remains, in the street names, remnants of older buildings and tableware that turn up unexpectedly, and the exhibitions in the Bonnefanten Museum and Centre Céramique. Each and every one is a golden thread of history interwoven into the fabric of today.