The Kreativquartier area embodies diversity and heterogeneity. The cityscape with old industrial buildings, colourful graffiti and wildly growing gardens, is where artists and designers run their studios and open workshops. From performances and exhibitions to concerts, the content, themes, and aesthetics rarely conform to traditional Munich culture.

Haarlem’s Frans Hals Museum is home to the largest collection of paintings by Frans Hals in the world. Hals, the most famous Haarlem painter of the Golden Age, specialised in portraits. In addition to paintings by Hals, the museum has works by his predecessors and his contemporaries, as well as furniture, ceramics, glass and silver.

The Negen Straatjes (nine little streets) intersect the main canals between the Leidsestraat and the Jordaan district, and are dotted with great restaurants, cafes, art galleries, jewellers, boutiques and vintage stores. With an exceptional array of styles, trends and prices, this area is truly a shopper’s paradise.

Built in the 17th century, Sidi Youssef Dey Mosque was the first Ottoman-style mosque in Tunis, designed by Andalusian architect Ibn Ghalib. Its eclectic mix of influences reflects the era’s cultural exchanges. Flanked by Turkish souqs — El Trouk (once tailors, now clothing and embroidery), El Berka (formerly a slave market, later jewellery traders), and El Bechamkia (slippers and shoes) — the mosque served the city’s Ottoman-era merchants. The minaret, topped with a distinctive green-tiled pyramidal crown, became a model for later Ottoman designs in Tunis. Its octagonal shape, novel at the time, subtly asserted Ottoman authority. Inside, the mosque houses the tombs of Youssef Dey, commander of the janissaries, and his family. Sidi Youssef remains an active mosque, so plan visits outside prayer times, when non-Muslim visitors may enter. Its striking architecture, both inside and out, anchors a neighbourhood rich with history.